Two Screenplay Wins for THE COLOR OF EVIL

Just received word that my screenplay based on Book #1 of THE COLOR OF EVIL trilogy (series) has won another Los Angeles Screenplay competition, this time the L.A. Edge Film Awards. Having also just gone out to see “Hereditary” with Toni Collette, which I will review momentarily, I want to quote the June 18th issue of “Time” magazine which heralded “Hereditary” as “among the films forming the swell of a new wave in horror, pictures that are smart, subtle and artfully made.”

The article goes on to say that this is not to put down the “Saw” or “Halloween” more overtly horrific films of yesteryear, but that those who say they don’t “like” horror movies means “you have haven’t met the right one yet.”

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SXSW proved this to be true with the smash opening of “A Quiet Place,” which, in Mexico, they described as “alien on a farm.” My interview with the two young writers of that film (Scott Beck and Bryan Woods) convinced me that I should go home and write a screenplay based on THE COLOR OF EVIL, which I did in 3 weeks, while reviewing SXSW.

My script (whose ending I reworked 3 separate times) was checked over by producer John Crye for content and looked over for formatting errors (up to page 57, anyway) by founder of the Chicago Screenwriting School and AFI Film School graduate Dan Decker and then off it went to many festivals, which are now weighing in on (yet another) horror film that taps into the zeitgest of the nation right now. It has won two, is a Finalist in several, and is running above a 75% acceptance rate. (Woot!)

CONGRATULATIONS!

We would like to thank you for participating in The LA Edge Film Awards. There were a.lot of great submissions. It was very difficult to choose this month, but we are now excited & proud to announce the winners for MAY 2018!

Best Narrative Feature

It’s Just a Game
by Wilder Troxell
in Narrative Feature
Runner Up
Aakashee Pullover
by 24 OURS
in Narrative FeatureBest Documentary Feature
Crownsville Hospital: From Lunacy to Legacy
by Richard Stevens
in Documentary Feature, Additi

Runner Up
The Bateman Lectures on Depression
by Scott Bateman
in Documentary Feature2nd Runner Up
A Piece of Germany
by Ela Beken
in Documentary Feature

Best Narrative Short
Help Wanted 
by Michael Madden
in Narrative Short 

Runner Up
A View from The Mountain
by Anthony Stoppiello
in Narrative Short2nd Runner Up
No Wonder!
by Anjani Pandey
in Narrative Short

3rd Runner Up
The Projection
by Oleksandr Herasymenko
in Narrative Short

Best Documentary Short
Namibia
by Matthieu VINEL
in Documentary Short

Best Director
The Bateman Lectures on Depression
by Scott Bateman
in Documentary Feature

Best Screenplay
THE COLOR OF EVIL
by Connie Wilson

Runner Up
The Serum
by Tom Thorpe

2nd Runner Up
Joseph (4th)
by Ian Davies

3rd Runner Up
Diu
by Haritrushi Purohit

Best Actor –
Mac Estelle“Mac”- ‘Help Wanted’

Best Actress –
Aloknanda Roy“Subha” – ‘Aakashee Pullover’

Best Supporting Actor –
Virgil Apostol “Kade” – ‘A View From The Mountain’

Best Supporting Actress –
Rene Michelle Aranda “Lucy” – ‘A View From The Mountain’

Best Cinematography –
Namibia
by Matthieu VINEL
in Documentary Short

Best Score –
Crownsville Hospital: From Lunacy to Legacy
by Richard Steven

Best Visual FX –
The Bateman Lectures on Depression
by Scott Bateman
in Documentary Feature

Best Editing-
The Bateman Lectures on Depression
by Scott Bateman
in Documentary Feature

 

Time” said of “Hereditary”, “It’s a movie about feeling small and inconsequential in the larger pattern of danger churning all around us.” Those who have been horror afficionados for years will remember that “Invasion of the Body Snatchers” was often said to be a film about Communism and the cold war threat, although that was denied by the writer and director. Nevertheless, it was films like that one (which was remade several times to varying degrees of success) that captured the mood of the moment.

Whatever your opinion of it, horror is hot, right now.

If anyone out there is reading this: I’ve got literally hundreds of short stories that can be made into great onscreen movies, part of my 50+ year love affair with film and residing in such collections as “Hellfire & Damnation” (Books 1, 2 and 3) and “Ghostly Tales of Route 66.”.

I also wrote THE COLOR OF EVIL, 3 novels that follow a young boy with the paranormal power of Tetrachromatic Super Vision (a real thing, by the way) and put him in peril because others don’t understand that it isn’t necessarily a predictive power. By book three, when we’ve followed Tad (McGreevy) and Stevie (Scranton) and Jenny (SanGiovanni) and Janice (Kramer) through their junior and senior years of high school and on into adulthood, you’ll feel that you know them well.

Set in Cedar Falls, Iowa, in 2003-2005, the books are right in touch with today’s mania of the moment, and I hope those of you in a position to see for yourself check out the e-book boxed set (THE COLOR OF EVIL series by Connie Corcoran Wilson) and find out for yourselves.

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