The battle for viewers is ramping up on streaming services, with Apple’s entry into the field, competing with the more established Netflix, Amazon, Hulu and—also—with channels such as the Sundance Channel. Add to that services like Showtime and HBO and the competition for viewers becomes even more fierce.
A recent entry on Netflix, which began streaming on Friday (November 1, 2019) was the second season of “Jack Ryan,” starring John Krasinski. I watched season one, which was set in the Middle East. While it was well-done, I am enjoying season two, set in Venezuela more. Perhaps that is because I have actually visited Caracas, whereas I have not visited the Middle East and don’t expect to any time soon. I say that while realizing that shooting probably did not take place in that currently chaotic country, but there definitely was on-location shooting for the series. It looks expensive to film.
I’ve been enjoying the series “Castle Rock” on Hulu. It’s related to the genre in which I have published, with 3 novels in “The Color of Evil” series and 3 books in “Hellfire & Damnation.” Watching the pre-cursor of Kathy Bates’ “Misery” character, played by Lizzie Caplan (previously of “Masters & Johnson”) was interesting. The writing and execution, with talents like Scott Glenn, Frances Conroy and Sissie Spacek involved in various stories, has been well above par. Hulu also has another season of “The Handmaid’s Tale” to entertain, which we haven’t gotten to yet. Meanwhile, there is the “Marvelous Mrs. Maisel,” the much-acclaimed comedy series with Rachel Brosnahan, Alex Borstein and Tony Shaloub. It has garnered numerous Emmy awards for its stars. I’m also eagerly anticipating friend Jonathan Maberry’s vampire series, filmed in Canada, which premieres in early December with star Ian Somerhalder.
Then there are the “Don’t Miss” movies of the season as the race heats up heading towards Oscar season. Films like “The Irishman,” which Netflix bankrolled to the tune of $150 to $200 million, are being shown in theaters in select cities to qualify for the Oscar race, after which “The Irishman” will premiere on Netflix—all 3 hours and 20 minutes of it—-on November 27th.
I just returned from the Chicago International Film Festival. I am still reviewing film(s) from the Denver Film Festival, long distance. It is impossible to watch ALL of the films offered, but I managed to squeeze 42 films into a brief 2-week span. The day that I attended “The Torch” at 10 a.m. (a Buddy Guy documentary), followed by “Seberg” (Kirstin Stewart and Jack McConnell) for over 2 hours, followed by “The Irishman” for 3 hours and 20 minutes, followed by the late-night showing of “Into the Vast,” (a sci-fi epic about strange noises coming over the radio in a small town that set the town’s DJ and friends off on a search for the origin of the noises can best be summed up by these script lines, “They’re here. They’re really here.”) was a l-o-o-o-n-g day.
Of all the 42 films and documentaries that I took in between October 13-27, the two that are Don’t Miss are “Ford v. Ferrari,” with Christian Bale and Matt Damon, and Martin Scorsese’s epic “The Irishman,” with Robert DeNiro, Al Pacino, Joe Pesci, Ray Romano and a host of others. It is definitely a worthy and classic film in the Scorsese cannon. I highly recommend it if you have enjoyed Scorsese gangster films (“Mean Streets,” “Taxi Driver,” “Goodfellas”) over the years.
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